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Life Between the Exit Signs | |||
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Studio album by | |||
Released | April 1, 1968[1] | ||
Recorded | May 4, 1967 Atlantic Recording Studios, New York City | ||
Genre | Post-bop | ||
Length | 43:18 | ||
Label | Vortex Records | ||
Producer | George Avakian | ||
Keith Jarrett chronology | |||
|
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [2] |
Encyclopedia of Popular Music | [3] |
Life Between the Exit Signs is a jazz album by pianist Keith Jarrett. It was recorded on May 4, 1967 at Atlantic Recording Studios, in New York City and released on April 1, 1968, under the record label Vortex, a subsidiary label of Atlantic Records. It features Jarrett, bassist Charlie Haden and drummer Paul Motian.
The tracks on the album are heavily influenced by Ornette Coleman and Bill Evans, Jarrett having long been an admirer of both, Haden having played with Coleman and Motian having played with Evans.
Track listing[edit]
All songs written by Keith Jarrett, unless otherwise noted.
- 'Lisbon Stomp' - 6:06
- 'Love No. 1' - 6:17
- 'Love No. 2' - 4:32
- 'Everything I Love' (Cole Porter) - 4:33
- 'Margot' - 3:45
- 'Long Time Gone (But Not Withdrawn)' - 4:55
- 'Life Between the Exit Signs' - 6:53
- 'Church Dreams' - 6:17
Personnel[edit]
- Keith Jarrett - piano
- Charlie Haden - double-bass
- Paul Motian - drums
References[edit]
- ^At Discogs
- ^'Life Between the Exit Signs - Keith Jarrett | AllMusic'. allmusic.com. 2011. Retrieved 18 July 2011.
- ^Larkin, Colin (2011). The Encyclopedia of Popular Music. Omnibus Press. ISBN9780857125958. Retrieved 1 May 2019.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Life_Between_the_Exit_Signs&oldid=910972287'
Ruta and Daitya | ||||
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Studio album by | ||||
Released | 1973 | |||
Recorded | May, 1971 | |||
Genre | Jazz | |||
Length | 47:37 | |||
Label | ECM | |||
Producer | Manfred Eicher | |||
Keith Jarrett chronology | ||||
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Jack DeJohnette chronology | ||||
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Alternative Cover |
Ruta and Daitya is an album released on ECM by jazz pianist Keith Jarrett and drummer Jack DeJohnette. It features seven duet performances recorded in the studio.[1]
Reception[edit]
The Allmusic review by Richard S. Ginell awarded the album 3 stars, stating, 'this is a valuable, underrated transition album that provides perhaps the last glimpse of the electric Keith Jarrett as he embarked on his notorious (and ultimately triumphant) anti-electric crusade'.[2]
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | [2] |
Encyclopedia of Popular Music | [3] |
The Penguin Guide to Jazz | [4] |
The Rolling Stone Jazz Record Guide | [5] |
Track listing[edit]
- 'Overture/Communion' - 6:00
- 'Ruta and Daitya' - 11:14
- 'All We Got' - 2:00
- 'Sounds of Peru/Submergence/Awakening' - 6:31
- 'Algeria' - 5:47
- 'You Know, You Know' (Jarrett) - 7:44
- 'Pastel Morning' (Jarrett) - 2:04
- Recorded at Sunset Studios, Los Angeles, CA, May, 1971
Personnel[edit]
- Keith Jarrett – piano, electric piano, organ, flute
- Jack DeJohnette - drums, percussion
References[edit]
- ^ECM catalogue accessed December 1, 2008.
- ^ ab'Keith Jarrett: Ruta and Daitya'. allmusic.com.
- ^Larkin, Colin (2011). The Encyclopedia of Popular Music. Omnibus Press. ISBN9780857125958. Retrieved 1 May 2019.
- ^Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 771. ISBN978-0-141-03401-0.
- ^Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 60. ISBN0-394-72643-X.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Ruta_and_Daitya&oldid=910978491'